For Mann, immediacy is the name of the game, which is just one of the reasons why he's such a continually compelling filmmaker. For his part, Mann continues to insist on a gritty, immediate look and sense of reality for his productions no matter the format, as seen in his latest project, HBO Max's "Tokyo Vice." The show is ostensibly a period piece, being set in the late '90s, but it doesn't attempt to evoke the look of a '90s movie or rely on any other such nostalgic trappings. Film has this liquid kind of surface, feels like something made up."ĭigital cinematography has made a leap forward in fidelity and quality since Mann shot "Public Enemies," with digital cameras almost totally replacing film cameras on most productions, causing the debate regarding which format is superior to enter into increasing degrees of nuance. Immediate, it has a vérité surface to it. I added some new pics from the filming of ‘Public Enemies’ in Chicago on April, 2nd. In the end it made total sense: Video looks like reality, it's more Set during the Great Depression, the film chronicles the final years of the notorious bank robber John Dillinger ( Johnny Depp) as he is pursued by FBI agent Melvin Purvis ( Christian Bale ), Dillinger's relationship with Billie Frechette ( Marion Cotillard ), as well as Purvis' pursuit of Dillinger's associates and fellow criminals John 'Red' H. With Christian Bale, Christian Stolte, Jason Clarke, Johnny Depp. Johnny Depp (Pirates of the Caribbean series) stars as the charismatic and elusive bank robber marked by the FBI as America's first 'Public Enemy Number One.' Academy Award winner Marion Cotillard (La Vie en Rose) plays. Provided to YouTube by The Orchard EnterprisesThe Last Round-Up (From 'Public Enemies') Gene AutryMusic from Johnny Depp Films 2012 Soundtrack ClassicsRel. Public Enemies: Directed by Michael Mann. "I came away from the tests - we just brought a Sony F23 camera out there to look at it, to be diligent - and I looked at them, and that looked like a period film, and this looked like what it was like to be alive in 1933. From award-winning director Michael Mann (Heat, Collateral) comes the film inspired by one of the country's most captivating and infamous outlaws John Dillinger. The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson, and Pretty Boy Floyd during a booming crime wave in the 1930s. Mann didn't adopt digital cinematography lightly in fact, he made a point of shooting a series of tests when developing "Public Enemies" that compared film to digital to see which format carried the most reality with it. Public Enemies: Directed by Michael Mann.
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